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ACASA

Arts Council of the African Studies Association

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ACASA’s Inaugural Provenance Workshop

July 8, 2026 By Caroline Bastian

Call for Applications

ACASA Provenance Workshop

November 9–10, 2026 | Chicago, Illinois

Submission Portal: https://forms.gle/oN4LRZJ2r2SRGqxC8

ACASA invites applications for its inaugural Provenance Workshop, a new initiative designed to invite dialogue, collaboration, and skill-building around provenance research and the stewardship of African art collections.

As museums, scholars, and cultural institutions continue to grapple with questions of ownership, collecting histories, accessibility, transparency, and ethical responsibility, provenance research continues to be an increasingly important area of practice and inquiry. This workshop aims to create a dedicated space for participants to engage with emerging methodologies, current debates, and practical approaches to provenance research while building connections with colleagues across the field.

This two-day, in-person program is hosted by the Smart Museum of Art at the University of Chicago and the Art Institute of Chicago. It will bring together scholars, museum professionals, graduate students, independent researchers, and emerging leaders for focused discussions and hands-on learning with experts in the field.

The workshop will feature a keynote address, an opening reception, and three interactive sessions discussing topics of:

  • Ethics, Legality, and Responsibility in Provenance Research
  • Provenance and Public Engagement
  • Making United States African Art Collections Accessible

To ensure meaningful discussion and active participation, the event is limited to 20 participants. Admission will be determined through a competitive application process with applications reviewed by a committee.

Eligibility

Applicants must:

  • Be an active ACASA member
  • Demonstrate a strong interest in provenance research, museum practice, collections accessibility, cultural heritage, or related fields

Application Requirements

Applicants must submit:

  1. Statement of Interest (maximum 500 words) describing their background, interest in the workshop, and how participation will support their current or future work
  2. Curriculum Vitae (maximum 3 pages)

Application Timeline

  • Application Portal Opens: July 8, 2026
  • Application Deadline: August 5, 2026
  • Notification of Acceptance: Early September 2026

Registration and Funding

ACASA is unable to provide funding for this workshop, but is able to provide no registration costs for those invited to attend. Participants are responsible for arranging and covering all travel, accommodation, and related expenses.

This workshop is designed to be an ongoing program that supports learning and collaboration around provenance research and related issues in the field of African art.

ACASA plans to offer a future virtual provenance workshop to ensure broader accessibility and participation, especially for those unable to travel. ACASA aims to host these workshops during non-Triennial years, alternating between in-person and virtual formats pending participant feedback, member interest, and the availability of funding and institutional partnerships. Through this initiative, ACASA is working to develop member networks, create training opportunities, and support ongoing conversations about topics important to our members.

Please submit all required materials via this link: https://forms.gle/oN4LRZJ2r2SRGqxC8

For questions, please contact Allison Martino, ACASA Secretary, at secretary@acasaonline.org

Filed Under: Uncategorized

Arts Council of the African Studies Association (ACASA) announces Grant for Innovative Early Dissertation Research

June 2, 2026 By Caroline Bastian

ACASA is launching a new research grant to support graduate students enrolled in PhD programs in the arts and cultures of Africa and the African Diaspora. This award is specifically directed to students in the formative stages of doctoral research and dissertation development. Every year one (or more) $5,000 grants will go to those who show exceptional promise of becoming leaders in the field based on their innovative approaches to dissertation research. A five-person selection committee chosen by the ACASA Board will determine the grantee(s); the inaugural recipient will be announced at the 2027 ACASA Triennial.

This merit-based award is intended to facilitate progress toward a fully realized dissertation prospectus. ACASA seeks to provide resources to support the development of new and groundbreaking methodologies, drawing on archives, libraries, and museum collections, as well as interactions with communities, partners, scholars, mentors, colleagues, and others. The range of possibilities is without limit and the grant is open to all continuing PhD students. We welcome bold ideas and risk-taking. At the end of the research year, recipients are expected to produce a progress report that can be posted on the ACASA website and linked to the Newsletter.

Criteria that will guide in assessing and selecting deserving dissertation research proposals include (but are not limited to):

  1. Incorporating one or more methodological approaches in original ways;
  2. Focusing on new subjects of inquiry (especially those involving historically under-studied regions, groups, artists, mediums or more);
  3. Employing non-traditional strategies of investigation and collaboration;
  4. Engaging with timely disciplinary or other practical, methodological, and theoretical issues, questions, and challenges, including the future of the field and its continuity.

Applications for the inaugural award cycle will open in Fall 2026, with submission deadlines and application materials to be announced at that time. Applications will be due in early 2027. All updates and communications regarding the grant will be shared through ACASA’s website, ACASA social media channels, and member email announcements. Those interested in joining ACASA may visit the website for membership information.

ACASA Grant for Innovative Early Dissertation Research is a donor-funded initiative. It has been launched by Marla C. Berns, former ACASA President and ACASA Leadership Awardee, in honor of her mentor Professor Arnold Rubin, whose research and ideas advanced innovation and risk in the development of African art history. Berns’ outright gift along with a $5,000 matching challenge will initiate an effort to secure funding from other ACASA members. If you wish to help support the future of this new ACASA research initiative please contact Amanda M. Maples, ACASA President (president@acasaonline.org) or Caroline Bastian, Arts Administrator and Project Manager (bastian@acasaonline.org).

 

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Daniel F. and Ada L. Rice Curatorial Fellowship at the Art Institute of Chicago

February 4, 2026 By Caroline Bastian

The Art Institute of Chicago is pleased to announce that we are now accepting applications for a three-year (2026-2029) Daniel F. and Ada L. Rice Curatorial Fellowship in the department of Arts of Africa.

The fellow will work with the department to advance new avenues of research and collection development focusing on artistic traditions grounded in Africa’s Islamic heritage, interrogating the boundaries of the field and the ways in which the category of Islamic art is defined.

The successful candidate will hold an advanced degree (Master’s level or beyond) in art history, Islamic studies, Middle Eastern studies, African studies, history, anthropology, or a closely related field with a strong research focus on Islamic art produced on the African continent. The full position description and requirements can be found here.

To ensure the fullest possible consideration, applicants should apply by Friday, February 27, 2026.

Filed Under: Uncategorized

Arnold Rubin Outstanding Publication Award Submissions Due March 1

February 4, 2026 By Caroline Bastian

The submission portal for nominations is now open and will close on March 1, 2026.

The Arnold Rubin Outstanding Book Award is given for excellence in scholarship on the arts of Africa and the African Diaspora. The awards committee will assess works of original scholarship and excellence in visual presentation that makes significant contribution to our understanding of African arts and material culture. While our awards committee is made up of volunteers with varied language skills, we welcome submissions in languages other than English and we will do our best to solicit suitable ACASA members as outside readers for assistance.

Eligibility:

  • Awards are made from each of the following categories:
    • Single authored books
    • Multi-authored volumes
  • Runners up may also be recognized
  • Eligible books must have been published (by official publication date or demonstrated public availability, if different) between September 1, 2023 and August 30, 2025. No book will be considered for more than one award cycle.

Submission Materials:

  • Mail 3 copies of the book directly to the address below

AND

  • Email a digital copy of the book (editor copy, pdf, final draft, etc.) to bastian@acasaonline.org

Digital copies help our international committee members receive the submissions no matter shipping delays or customs issues. Final awards will be awarded based on physical book.

ACASA
ATTN: Caroline Bastian
2610 N Orchard St, Unit D
Chicago, IL, 60614 USA

If available, please forward or share all tracking information with Caroline at bastian@acasaonline.org. All books must be postmarked by March 1 to be considered for this award.

If you have any questions, please email Caroline Bastian, ACASA Admin, at bastian@acasaonline.org

Filed Under: Uncategorized

Arts Council of the African Studies Association (ACASA) Awarded $350,000 Grant to Strengthen Organizational Capacity, Sustainability, and Global Collaboration

December 19, 2025 By Caroline Bastian

News Release – FOR IMMEDIATE RELEASE
December 19, 2025

Arts Council of the African Studies Association (ACASA) Awarded $350,000 Grant to Strengthen Organizational Capacity, Sustainability, and Global Collaboration

The Arts Council of the African Studies Association (ACASA) has received a $350,000 General Operating Support grant from the Mellon Foundation, marking a transformative investment in the organization’s continued growth, capacity building, and leadership in advancing scholarship, ethical museum practices, and artistic exchange in African art studies.

As the only professional organization based in the United States dedicated to the study of African arts, ACASA has, for more than four decades, supported scholars, artists, curators, and museum professionals across the world. This new three-year award builds on ACASA’s prior Mellon-funded capacity-building initiatives (2022–2025), ensuring sustained administrative and strategic development while expanding global engagement and fostering ethical stewardship of African art collections.

Grant-Supported Initiatives

The Mellon Foundation’s support will enable ACASA to:

  • Sustain key administrative leadership by continuing the role of an Arts Administrator/Project Manager to oversee strategic planning, governance, and event delivery.
  • Host the 20th Triennial Symposium on African Art in Rabat, Morocco (July 2027) in collaboration with Université Mohammed V, expanding ACASA’s global footprint and fostering cross-continental dialogue.
  • Launch a Provenance Research Training Workshop Program in partnership with leading museums to strengthen ethical research capacity and transparency.
  • Partner with Matrix at MSU to support the “Making United States African Art Collections Accessible and Visible” (MUSAA) digital initiative — an aggregator connecting users, especially those based in Africa, with data on African artworks in U.S. collections.
  • Create a long-term sustainability plan in partnership with nonprofit consultants to diversify funding streams and ensure ACASA’s financial independence.

These initiatives align with the Mellon Foundation’s commitment to supporting historically under-resourced organizations and advancing new models that reflect a holistic approach to social and cultural change.

Please direct inquiries to ACASA President Amanda M. Maples at president@acasaonline.org.

About the Arts Council of the African Studies Association (ACASA)

The Arts Council of the African Studies Association (ACASA) is the leading U.S.-based professional organization dedicated solely to the study and promotion of African and African Diaspora arts. Founded in 1981, ACASA’s mission is to foster greater understanding of African material and expressive culture in all its myriad forms and to encourage ongoing collaboration among artists, scholars, curators, museum professionals, students, and global communities. Through its core initiatives—including the Triennial Symposium on African Art, awards for teaching, curatorial and publication excellence, webinars, museum- and artist-centric resources, and its Collaboration, Collections, and Restitution Best Practices for North American Museums Holding African Objects (CCRBP) document—ACASA creates dynamic forums for exchange, supports the ethical stewardship and visibility of African art, and advances equity, access, and dialogue in the field. For more information about the organization, its activities, and its global membership, visit www.acasaonline.org.


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Fellowships at the Center for Advanced Study in the Visual Arts at the National Gallery of Art

August 18, 2025 By Caroline Bastian

The Center for Advanced Study in the Visual Arts at the National Gallery of Art in Washington, DC, is now accepting applications for senior, visiting senior, and postdoctoral fellowships that begin in 2026. These residential appointments support research in the history, theory, and criticism of the visual arts and related disciplines of any period or geographical area.

Learn more about each opportunity, their requirements, and their deadlines here: https://www.nga.gov/research/casva/fellowships.html

Filed Under: Uncategorized

Call for Papers: Methodological Approaches to Researching Modern Art by African Women Artists

August 18, 2025 By Ashley Stewart

Call for Presentation Abstracts:
Towards the CAA 114th Annual Conference (18-21 Feb. 2026), we now welcome the submission of presentation abstracts for the session “Methodological Approaches to Researching Modern Art by African Women Artists.”

—Session convened remotely—

Session Chairs:
Nomusa Makhubu (Michaelis School of Fine Art at the University of Cape Town), and Claudia Marion Stemberger (Department of Art History at the University of Delaware)

Session Abstract:
The rise of the contemporary in both research and exhibitions of African visual art and material culture has gained significant traction, placing the historically marginalized study of women artists in twentieth-century Africa at a crossroads. The recent growth in online resources pertaining to global modern art, such as biographical notes by AWARE and contextual essays from the MoMA, has helped to reevaluate the narratives surrounding African women artists of the twentieth century. Surveys on African women artists have proposed that gendered practices are multifaceted (Blackmun Visonà 2021), while also underlining the challenges posed by “incongruent methodological approaches to how that gendered history is constructed” (Makhubu 2020). This has opened opportunities to transform research methodologies and fieldwork strategies. In moving forward, however, despite ongoing reflections on the current state of the field (African Arts 2017 & 2024) and revised trajectories of African modernisms (Critical Interventions 2019), there remains a paucity of directions in the analysis of modern art by individual African women artists. The panel discusses methodological innovations and case studies that underpin novel scholarship on women’s artistic production among twentieth-century African art historiography. The scope encompasses accounts of recent shifts and envisioning future inquiry, especially in respect of Africa-centered perspectives. By engaging in debates about the de/canonization of art historical knowledges, this panel illuminates the previously underrepresented histories of African women artists.

Subject Fields
African History / Studies, Anthropology, Art, Art History & Visual Studies, Women’s & Gender History / Studies

https://networks.h-net.org/group/announcements/20120622/cfp-methodological-approaches-researching-modern-art-african-women

Timeline:
Proposal submission deadline: 29 August 2025
Notification of acceptance: 16 September 2025

Submission Guidelines:
Prepare your presentation title and abstract (250 words), in addition to your shortened CV (~2 pages). Presenters will submit through CAA’s online forms via this link: https://caa.confex.com/caa/2026/webprogrampreliminary/meeting.html
For technical issues, kindly reach out to caa@confex.com

Filed Under: Conferences, news, Symposiums, Uncategorized

2025 ACASA Board Elections – Voting Now Open!

August 5, 2025 By Caroline Bastian

See Candidate’s Full Statements and Access Voting Portal

Voting for new members of the Board of Directors is open through 19 August 2025. ACASA members in good standing (with active memberships) are eligible to vote. Election results will be communicated via membership email.

Five elected candidates will serve for an approximately 3-year term as Members-at-Large (ending ASA 2028). The current board will appoint a President–Elect/VP from the elected candidates (to be ratified electronically by the membership) who will succeed Amanda M. Maples as President at the end of her term of office (Triennial 2027). For more information regarding the structure and duties of the board, please consult the by-laws.

Position Description:
Members-at-large are full members of the ACASA Board of Directors. Duties include: attending meetings and participating in board deliberations; serving on committees as needed; and fulfilling vacant board member roles or other duties as assigned.
Empty board positions looking to be filled include Vice President/President-Elect, Treasurer-Elect, Website Editor, and two Members-At-Large.

ACASA Board Candidates 2025–2028:

  • Olayemi Tosin Ajayi
  • Olaoluwa Ayokunmi
  • Delinda Collier
  • Paul Cooper
  • Alice Korkor Ebeheakey
  • Aindrea Emelife
  • Blaise Gundu Gbaden
  • Kiagho Kilonzo
  • Gontse Mathabathe
  • Ashley V. Miller
  • Olusegun Quadri

You can find the candidates’ statements, CVs, and the link to the voting portal here: https://www.acasaonline.org/2025-board-election/

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Assistant Professor – Black Visual Culture

July 29, 2025 By Ashley Stewart

Date Posted: 07/14/2025
Closing Date: 09/30/2025, 11:59PM ET
Req ID: 44059
Job Category: Faculty – Tenure Stream (continuing)
Faculty/Division: University of Toronto Mississauga
Department: University of Toronto Mississauga: Visual Studies
Campus: University of Toronto Mississauga (UTM)

Description:

The Department of Visual Studies at the University of Toronto Mississauga invites applications for a full-time tenure stream appointment in Black Visual Culture. The appointment will be at the rank of Assistant Professor, with an anticipated start date of July 1, 2026.

Candidates must have earned a PhD degree in Visual Culture, Art History, Black Studies or Africana Studies, Cinema and Media Studies, or a closely related discipline by the time of appointment, or shortly thereafter, with a demonstrated record of excellence in research and teaching. We seek candidates whose research and teaching interests complement and enhance our existing departmental strengths. The successful candidate will be expected to pursue innovative and independent research, and to establish an outstanding, competitive, and externally funded research program.

Candidates must provide evidence of research excellence which can be demonstrated by the quality of the writing sample, the submitted research statement, a record of publications in top-ranked and field-relevant academic journals and books, or forthcoming publications meeting high international standards, research collaborations, presentations at major conferences, fellowships, awards, and accolades, and strong endorsements by referees of high standing.

Evidence of excellence in teaching will be demonstrated through teaching accomplishments and a teaching dossier, including a teaching statement, sample course materials, and teaching evaluations submitted as part of the application, as well as three letters of reference. The successful candidate will be expected to provide examples of innovative approaches to pedagogy and mentoring.

Salary will be commensurate with qualifications and experience.

The Department of Visual Studies (DVS) is home to five programs and one certificate option: Art History, Art & Art History, Cinema Studies, Visual Culture and Communication, Visual Culture Studies and Certificate in Curatorial Studies. Ideally, the candidate will teach primarily in the Visual Culture streams, though we understand all of these programs as importantly related. The candidate will be expected to help build the Visual Culture curriculum. DVS is also affiliated with the Blackwood Gallery (https://www.blackwoodgallery.ca/), a vital, on-campus gallery of contemporary art and a major pedagogical resource.

The candidate also will be appointed to and teach in a graduate unit at the University of Toronto St. George campus, such as Art History (https://arthistory.utoronto.ca/) or the Cinema Studies Institute (https://www.cinema.utoronto.ca/) The University of Toronto offers the opportunity to teach, conduct research, and live in one of the most diverse metropolitan areas in the world.

At UTM we are committed to fostering an environment of diversity and inclusion. With an enviable diverse student body, we especially welcome applications from candidates who identify as Indigenous, Black, or racially visible (persons of colour), and who have experience working with, teaching or mentoring diverse groups or students. Candidates must demonstrate, in their application materials, an ability to foster diversity on campus and within the curriculum or discipline, and must show evidence of a commitment to equity, diversity, inclusion, and the promotion of a respectful and collegial environment. Candidates must submit a statement describing their contributions to equity, diversity, and inclusion, which might cover topics such as (but not limited to): teaching that incorporates a focus on underrepresented communities; efforts undertaken to develop inclusive pedagogies, collaboration, and engagement with underrepresented communities; and mentoring of students from underrepresented groups. If you have questions about this statement, please contact Professor Brian Price: dvschair.utm@utoronto.ca.

All qualified applicants are invited to apply online by clicking on the link below. Applicants must submit a cover letter, a current curriculum vitae, teaching dossier (including a statement of teaching philosophy, sample course materials, and teaching evaluations supporting teaching quality and experience), a research statement outlining current and future research interests, and a substantial recent writing sample (e.g., an article or book chapter).

Applicants must provide the names and contact information of three references. The University of Toronto’s recruiting tool will automatically solicit and collect letters of reference from each referee the day after an application is submitted. Applicants remain responsible for ensuring that referees submit recent letters (on letterhead, dated and signed) by the closing date. More details on the automatic reference letter collection, including timelines, are available in the candidate FAQ .

Submission guidelines can be found at http://uoft.me/how-to-apply. Your CV and cover letter should be uploaded into the dedicated fields. Please combine additional application materials into one or two files in PDF/MS Word format. If you have any questions about this position, please contact Professor Brian Price at dvschair.utm@utoronto.ca. For more information about the Department of Visual Studies, please visit https://www.utm.utoronto.ca/dvs/.

https://jobs.utoronto.ca/job/Mississauga-Assistant-Professor-Black-Visual-Culture-ON/593973817/

All application materials, including recent reference letters, must be received by September 30, 2025.

Filed Under: Jobs, Jobs-fellowships-internships Tagged With: Jobs

ACASA Board Nominations NOW OPEN!

July 15, 2025 By Ashley Stewart

All nominations due July 21, 2025

The ACASA Board of Directors is looking to fill five open board positions for the ASA 2025-2027 Term:

  1. Vice President/President-Elect
  2. Treasurer-Elect
  3. Website Editor
  4. Member at Large
  5. Member at Large

All nominees must be members in good standing of ACASA (must have an active membership). In addition to their assigned position, each Board member serves on committees during their 3-year term and participates in regular board meetings. Please note that nominees do not apply to a specific board position, but encourage nominees to include their preferred positions in their statement of intent. Following the general election, the Board will hold an internal election to designate one new member as Vice President/Future President, as indicated in the bylaws, and assign the remaining board positions accordingly. All elected nominees must be willing and ready to serve as ACASA Vice President/President-Elect.

All nominations are due July 21, 2025. Submit your nominations through the link below.

Nomination Form

The ACASA Board Elections Committee will contact nominees by email. Nominees who accept their nomination must submit a short bio, short statement of intent including interested position(s), and a 4-page (max) CV by 4 August 2025.

Members may nominate another ACASA member or themself for one of these positions.

If you have any questions, please email Caroline Bastian Retcher, ACASA Admin, at bastian@acasaonline.org

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About ACASA

ACASA, the Arts Council of the African Studies Association, promotes greater understanding of African material and expressive culture in all its many forms, and encourages contact and collaboration with African and Diaspora artists and scholars.

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