We invite proposals for individual papers for open panels and roundtables at this time (January 19, 2024- March 1, 2024). Please see the list of open panels and roundtables at the bottom of this page. The full list of accepted panel proposals can be viewed here.
Recently the field of African arts has shifted from object-centered approaches to ones that are human-, community-, and artist-centered. Who is speaking? How can we listen to each other and invite more diverse and globally-entangled voices? Some strategies for human-centered approaches include collaboration, wellness, healing, pluralities of knowledge, the sustaining and building of relationships, fostering new generations, thinking generously and inclusively and active listening in lieu of, or in addition to, object-centered approaches. We welcome contributions on themes such as:
- Diversifying the field of African arts
- Tangible and intangible knowledges and scholarly approaches
- Networking and broadening voices
- Community and artist-centered approaches
- Artist, museum, and/or community approaches or responses to wellness and healing
- Pluralizing knowledges, expertise, and the production of knowledges and expertise
- Developing and sustaining individual, museum, and institutional relationships and partnerships, especially international ones
- Fostering the next generation of artists, scholars, and communities
- Personhood and people-centered approaches and/or their relationship to tangible artworks
- Empathy, radical listening, thinking generously and inclusively
- Mentorship, exchanges, collaborations
- Transparency in museum and institutional practices
- Decoloniality and decolonial approaches to the arts of Africa
Regular panels will be 120 minutes long with either a) four 20-minute papers and a discussant or b) five 20-minute papers. 90-minute roundtables or alternative discussion-based formats (such as lightning talks or poster presentations) are welcome–creativity encouraged.
Participants may only present one paper but may serve as a discussant on another panel or as a presenter on a roundtable.
Individual paper proposals must include the following:
- Title of Paper
- Name, Professional Title, Affiliation of Proposer
- A proposal not to exceed 500 words describing the theme and scope
- Contact information, including phone and e-mail (this information is for internal use only and will not be publicized)
- Please include the title of the panel/roundtable so the application can be shared with the correct chair.
The submission deadline for paper proposals is March 1, 2024.
Please submit via the submission portal here
Proposals may be submitted by anyone, but an active ACASA membership is required to take part in the symposium. Visit https://www.acasaonline.org/join-acasa/ to find information on ACASA membership and to join.
For any questions or concerns, please email Caroline Bastian Retcher, ACASA Admin, at bastian@acasaonline.org.
Open Panels & Roundtables:
Decolonization of African Art in Museums, Covid-19, and Curating Art in Digital Space
Towards a dynamic and distributed future: interdisciplinary methods of engaging with African Art & Cultural Heritage Materials
Reimagining Creative Ways of Speaking Truth to Power in a Time of Heightened Repression
Knowledge Creation and Co-Curation in Museums and Public Spaces: Contestations and Advances
Public Art, African Histories: Asserting and Subverting Colonial Power
Photographic Transversals: Mobility, Intermediality, and Temporality in African Photography
Sea Matters: New Art Histories from Africa’s Islands and Archipelagos
“The Art that Guides Our Students: Southern University at New Orleans and the Traditional African Art Collections”
Towards a dynamic and distributed future: interdisciplinary methods of engaging with African Art & Cultural Heritage Materials
New Directions in Provenance Research
“Beautiful Space Others Make” On Care, Justice, & Creative Imagination
RE-ENGAGING THE GEARS OF CONSERVATION IN THE TRANSMISSION OF CULTURE IN MODERN BENIN
Jamaican Textile and the Stories of Decolonization
Audacious Art Histories: Intimacies and Interventions
Around the Object: New Directions in Museum and Curatorial Education in Africa
Ìyá: Our Mothers Who Art In Exile
Decolonization of African Art in Museums, Covid-19, and Curating Art in Digital Space
Online Visual Imaginations of the Nation
(De)Constructing Authenticity: New Methods and Case Studies
Periodizing the 1990s
THE CHALLENGES OF VISUAL ARTS ENTERPRISE FOR SUSTAINABLE DEVELOPMENT IN NIGERIA
From Belief to Heritage: Rethinking the museum.
Women & Non-Binary South African Artists: Revisioning Histories
African continuities and change in the Caribbean, through contemporary Caribbean art
Traditions and practices of profanation at Western Museums
Raising Voices: Climate Change and Environmental Degradation
Museums in Africa and their Search for Relevance as Source and Agent of Social Wellness
Fight of the Century: The Rumble in the Jungle 50 years on
Queer Hybrids in Contemporary African Art
“Collaborating Across Continents: Developing a Contemporary Masquerade Exhibition for North American and African Audiences”
For what is Just: Social Practice Art, Solidarity and Civic Imagination in Africa
Interventions in the Colonial Photographic Archive
Nigerian Contemporary Ceramic in Retrospective View
Power: remaking selves, archives, environments
‘women’s work as creative practice’ – 4 contemporary South African artist-women/artist-mothers
The Promise and the Peril of Placing African artists in Global Narratives
#JustAndEquitableNow: Reimagining Arts and Humanities in Our Universities
Gender and Artistic Production from the Maghrib
OBJECTS REFUSE TO BE CANCELLED (#babybathwater)
The Modern in an Expanded Field?
No Comment! Explorations along the borderline of seeing, talking, and thought.
Unveiling African Arts: Reclaiming Narratives, Fostering Dialogue, and Embracing Healing
Photography in the First-Person: The Interview as Source
Critical Inquiry in Design, Media and Material Culture of Sub-Saharan Africa
Collaboration, Collections, and Restitution Best Practices for North American Museums Holding African Objects
Questions of Objecthood and Value
Ghana 1957: Collaborative Curation
The creation and development of museums in Senegal: origin, evolution and perspectives.
Restitutions and feedback
What is a Map? A Question Investigated through African and African Diasporic Arts and Architecture
Local museums and international collaborations: The “other side” of the story
New Dimensions of Contemporary Art Studies and Practice in Nigeria and Ghana Since 2020
Artist-Centered Approaches to African Restitution
EXPLORING VISUAL CULTURE: PLURALIZING KNOWLEDGES, EXPERTISE, AND THE PRODUCTION OF KNOWLEDGES AND EXPERTISE
Art-Making as Rituals and Rites: Exploring the Transformative Power of Creative Expression
Gender and Human Centeredness in Southern African art
Spiritual Repair: Post-Secular Black Atlantic Arts
Past/Predecessors: Modern and Contemporary African Art Between Generations
Making and Representing West African Textiles and Fashions
A Ghanaian-United States Nexus in Art Pedagogy and Practice
Reimagining Public Art: Community Engagement, Sustainability, and Urban Transformation
African Art: Traditions, Transitions and Decolonisation
VISUAL LITERACY AGAINST OPPRESSION
Digitalization, Youth Economy, and the Future of Popular Arts in Africa
Pivoting with African Art: Alt-Academic Careers Roundtable