ACASA

Arts Council of the African Studies Association

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ACASA Award for Curatorial Excellence

August 29, 2023 By Kehinde Shobukonla

2024 ACASA Curatorial Excellence Award
Call for Submissions – Due January 15, 2024

The submission window is now open for the 2024 Awards for Curatorial Excellence. Submissions must be received by January 15, 2024. The awards will be presented at the 19th ACASA Triennial, to be held in Chicago from August 7-11, 2024.

The Awards for Curatorial Excellence recognize the important contributions to the dissemination and understanding of African and African Diaspora Arts made through exhibitions. Exhibitions related to permanent collections, loan shows, commissioned works or community interventions organized by museums, galleries, cultural centers, and exhibition spaces of all sorts are eligible. Up to two awards for curatorial excellence will be given. Runners up may also be recognized.

Eligibility

The exhibition should have opened between Sept. 1, 2019 and Sept. 1, 2023.

Exhibition eligibility: Both nominator and nominee(s)—if different–must be ACASA members in good standing. Join ACASA

Incomplete or late submissions will not be considered.

Submission Process and Materials

Eligible exhibitions should be uploaded by the nominator to this online folder with the submission materials listed below. All submission materials must be received by January 15, 2024.

All submissions should include the following materials:

  1. Cover page indicating title of exhibition, dates, venue(s), curator(s) names
  2. Synopsis of exhibition (one-page)
  3. Sample publication where applicable. This can include PDFs of take-away brochures, exhibition preview article or other means of documentation and distribution of project. If no publication was possible, please submit a bibliography of 5 key sources germane to the show’s thesis or points of departure.
  4. Sample didactics (labels or other interpretive materials, such as on-line description, that demonstrate the exhibition’s intellectual content and curatorial vision. Not to exceed 3-pages)
  5. Visual documentation: up to 5 still digital images, at least one of which must show installation, context or performance space; up to 2 videos or links, not to exceed 3 minutes in length to document performance or time-based projects.
  6. Link to or documentation of innovative uses of technology or interactive engagement
  7. Description of institution, organization or entity originating the exhibition (for example museum, independent art space, pop-up…, including mission, history, collection (if applicable), size, staff, budget, audience and other information pertinent to understanding the context in which the exhibition emerged.
  8. Documentation of community response. Up to three (3) examples that demonstrate various perspectives. These might include emails, sample entries from audience response books, or social media postings and not just critical or press reviews.

Assessment Criteria

For consideration for this award, the awards committee will consider exhibitions that:

  1. Generate new scholarship across the humanities or beyond
  2. Open new perspectives on the field
  3. Collaborate with and/or contribute to local or stakeholder communities
  4. Demonstrate innovative approaches to exhibition design and presentation
  5. Expand understandings or uses of technology

Please contact Caroline Bastian, ACASA Project Manager, for any questions or comments at bastian@acasaonline.org.

Filed Under: Uncategorized

Call for Panel and Roundtable Proposals

August 2, 2023 By Kehinde Shobukonla

The ACASA board is pleased to announce that our 19th Triennial Symposium of African Art will take place in Chicago, Illinois, USA from August 7 through 11, 2024.

RADICAL LISTENING: HUMAN-CENTERED APPROACHES TO AFRICAN ARTS

We invite proposals for panels and roundtables at this time (August 1- December 1, 2023). A call for individual papers for open panels and participation in open roundtables will follow on January 5, 2024.

Recently the field of African arts has shifted from object-centered approaches to ones that are human-, community-, and artist-centered. Who is speaking? How can we listen to each other and invite more diverse and globally-entangled voices? Some strategies for human-centered approaches include collaboration, wellness, healing, pluralities of knowledge, the sustaining and building of relationships, fostering new generations, thinking generously and inclusively and active listening in lieu of, or in addition to, object-centered approaches. We particularly invite panels that consider negotiating plurality of perspective and positionality, and diversifying forms of expertise and knowledge production.

  • Diversifying the field of African arts
  • Tangible and intangible knowledges and scholarly approaches
  • Networking and broadening voices
  • Community and artist-centered approaches
  • Artist, museum, and/or community approaches or responses to wellness and healing
  • Pluralizing knowledges, expertise, and the production of knowledges and expertise
  • Developing and sustaining individual, museum, and institutional relationships and partnerships, especially international ones
  • Fostering the next generation of artists, scholars, and communities
  • Personhood and people-centered approaches and/or their relationship to tangible artworks
  • Empathy, radical listening, thinking generously and inclusively
  • Mentorship, exchanges, collaborations
  • Transparency in museum and institutional practices
  • Decoloniality and decolonial approaches to the arts of Africa

This list is meant to be suggestive and not exhaustive, and submissions on any topic beyond the core theme are also welcome. We also welcome proposals for alternative formats – please contact Paul Basu or Amanda M. Maples if you would like to discuss.

Regular panels will be 120 minutes long with either a) four 20-minute papers and a discussant or b) five 20-minute papers. 90-minute roundtables or alternative discussion-based formats (such as lightning talks or poster presentations) are welcome–creativity encouraged.

Participants may only present one paper but may serve as a discussant on another panel or as a presenter on a roundtable.

Proposals for panels and roundtables may be open with a suggested topic or fully constituted with all proposed participants identified. Participation may be in person, virtual, or a combination of these two.

Panel and roundtable proposals must include the following:

  • Title of Panel/Roundtable
  • Name, Professional Title, Affiliation of Proposer
  • Name, Professional Title, Affiliation of Participants (if fully constituted)
  • A proposal not to exceed 500 words describing the theme and scope
  • An abstract not to exceed 100 words to be published on the ACASA Triennial website, ACASA Member Newsletter, ACASA Social Media channels, and H-AfrArts website/listserv
  • Contact information of the chair(s), including phone and e-mail (this information is for internal use only and will not be publicized)

The submission deadline for panel and roundtable proposals is December 1, 2023.

Please submit to https://www.acasaonline.org/2023-triennial-paper-proposal-submission/

Panel, roundtable, and paper proposals may be submitted by anyone, but an active ACASA membership is required to take part in the symposium. Visit https://www.acasaonline.org/join-acasa/ to find information on ACASA membership and to join.

Further deadlines:

  • January 5, 2024: Program Committee will announce the approved panel and roundtable proposals on the ACASA Triennial website and publicize them via ACASA Newsletter and H-AfrArts website
  • January 5, 2024: Submissions for individual papers to open panels and participation in open roundtables begins
  • February 1, 2024: Deadline for submission of individual papers to panels and participation in roundtables to panel/roundtable chairs
  • March 1, 2024: Deadline for chairs’ submission of fully constituted panels and roundtables to the Program Committee
  • Spring 2024: Preliminary panels and roundtables announced

Triennial Programming Committee:

Paul Basu, University of Oxford (paul.basu@anthro.ox.ac.uk)

Amanda M. Maples, New Orleans Museum of Art (amaples@noma.org)

George Agbo, University of Edinburgh (gagbo@exseed.ed.ac.uk)

Juliana Ribeiro da Silva Bevilacqua, Queen’s University (jrds@queensu.ca)

Zainabu Jallo, University of Basel (zainabu.jallo@unibas.ch)

Mathew Oyedele, University of Benin (oyemart@gmail.com)

Alexandra M. Thomas, Yale University (alexandra.m.thomas@yale.edu)

Key 2024 Symposium Dates.

Tuesday, August 6 – Registration Desk opens.
Wednesday, August 7–Saturday, August 10 – Panels held at the DePaul University Loop Student Center.
Thursday, August 8 – Keynote lecture given at the Art Institute of Chicago.
Friday, August 9 – Dinner & Awards Ceremony followed by the famous ACASA Dance Party at DePaul University’s Lincoln Park Student Center.
Sunday, August 11 – Museum Day at the Art Institute of Chicago.

Stay tuned for more information and calls for papers!

Filed Under: Triennial, Uncategorized

Grant/Fellowship Listing: Upcoming Call for Applications for Getty Residential Grants

July 5, 2023 By Kehinde Shobukonla

The Getty Research Institute is pleased to announce themes for residential grants and fellowships for pre-docs, post-docs, and scholars at the Getty Center and Villa for the 2024/25 academic year.

Applications will open on July 1, 2023. Applications are due by October 2, 2023.

AFRICAN AMERICAN ART HISTORY INITIATIVE GRANTS
The African American Art History Initiative (AAAHI) will support two fellows to generate new knowledge in the expanding field of African American art history. As part of the larger scholar year cohort, AAAHI Fellows have opportunities to present their research and receive feedback from an interdisciplinary group of peers. While proposals do not have to address the concurrent annual theme, they may highlight any salient intersections with it.

This residential program provides financial support and housing to scholars who are expanding critical inquiry of African American art and its frameworks. Projects that propose engagement with Getty’s growing collections of archival and primary source material related to African American art history—particularly post-World War II—are welcome. However, relevance to Getty holdings is not a project requirement. We invite applications from scholars who focus on African American art and visual culture in all time periods and media and in a broad range of theoretical and methodological traditions. Applicants should indicate how their project would align with AAAHI’s aim to make African American art history more visible to the public and accessible to the scholarly community worldwide.

EXTINCTION GRANTS

In this moment of extreme environmental decay and monumental epidemic loss, the Getty Scholars Program invites applications on the pressing topic of extinction and its bearing on the visual arts and cultural heritage. Scholars are asked to contemplate how representational practices are deployed to cope with the precarious survival of plants, animals, and humans; the ever-present specter of species-level extinction and resource exhaustion; and, at the most extreme pole, the brutality of mass atrocity. On another level, atrophy, decay, and obsolescence constitute the temporal dimensions of certain artistic practices, especially as creative approaches, technologies, media, formats, and ideals become outmoded or superseded. The finality of disappearance may also portend a certain amount of hope for rebirth, innovation, or recovery. We invite proposals on these topics from art historians and those from related to disciplines.

Please find the full call for applications and theme text on the Scholars Program webpage: gty.art/scholars

Filed Under: Uncategorized

About ACASA

ACASA, the Arts Council of the African Studies Association, promotes greater understanding of African material and expressive culture in all its many forms, and encourages contact and collaboration with African and Diaspora artists and scholars.

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